jesse_the_k: Pixar's Dory, the adventurous fish with a brain injury (dain bramage)
[personal profile] jesse_the_k

My cognitive impairments mean I always mess up time zones. I’ve participated in many events in the past five years. Only one managed to sense my current time zone and adjust all the info on their site to match. (And of course I can't remember which one it was.)

Which is why I love https://dateful.com. It’s an excellent tool when you’re communicating across time zones. It’s free. It features:

  • Time Zone Converter: convert between major world cities and timezones instantly as you type
  • World Clock: up to 20 clocks to see how the rest of the world can participate in your event
  • Time Calculator: adds and subtracts times, dates, and durations

And best of all:

  • Eventlink: create a link that converts an event’s time to the user’s current time zone and day. You can add an event title, description, and URL (meeting link or a web page), and you can offer an “add to my calendar” which works with Apple, Google, and Outlook.

All that info in a single link. You don’t need an account, but if you create one, you can go back and edit your Eventlinks.

I’m able to do these things with the keyboard; I welcome insights from readers using adaptive technology.

jesse_the_k: kitty pawing the surface of vinyl record (scratch this!)
[personal profile] jesse_the_k
The 20 Thousand Hertz podcast dives deep into Why is movie dialogue so hard to understand?, providing six possible reasons why more and more people are turning on subtitles/captions for movies, TV, and the streaming services we use to watch them. Reason six comes with a solution!

Dallas Taylor, 20k.org’s founder, points out video games have solved this problem: most permit users to individually adjust the loudness settings for

  • music
  • sound effects
  • dialogue

Movie sound, on the other hand, is designed to be impressive in a great big theater. But of course most of us watch the screen sector’s output at home.

https://www.20k.org/episodes/subtitleson has both the 30-minute audio and a transcript

I’m a big fan of this podcast, which is often disability-adjacent. In its nine years, it's covered how artists shape sound to convey meaning, how manufacturers tune their devices to be friendly, and how Beethoven created great music when he couldn’t hear at all.

Not surprisingly, many fans work with sound. Taylor solicited listener-produced contributions; I enjoyed the sixteen he chose. The overall winner celebrates the sonic scrapbook a Canadian sound designer keeps of his blind son’s upbringing, and introduces generational delight to the stop announcements on the Montreal transit system.

Accessibility Issue: I couldn’t open the SquareSpace transcript window using my tab key (crucial for those of us who don’t use mice) so I hope this highlight link to the control opens the transcript—let know about trouble/solutions in the comments.

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